Note those only apply to scene_sad which is used for scene change detection and freeze detection and a few other things like mpdecimate -- it's a very specific use case
This is why I like things like React and Astro, for the most part it is just JavaScript in the end. Other than JSX which is already familiar from using HTML and has applications beyond React
The same concept applies to anything with two loops as well. You can use it to quickly and easily tie together garbage bag loops, or grocery bag loops etc.
Migrate off vite to what exactly? I just migrated a personal project to vite and it simplified the existing webpack thing drastically, I was very impressed.
IDK, I've been purposely limiting the scope of work I can provide by only working with js, html, css. It's extremely limiting but when it comes to basically making one-off splash pages it's nice to not worry about tooling and just deploy what I made instantly. Modern CSS is amazing, there's no need to use sass or postcss. The modern web APIs are amazing as well. You can get a lot done with new base standard across browsers. The only libraries I really pull in nowadays are anime.js + umami for analytics.
I don't even need TS and can get away with js doc annotations + a functional LSP allows me to be slightly more dangerous (think running with scissors in chain mail).
Maybe if you need a specific web app you can reach for the complex tooling but even then I still wonder if it's necessary? The most popular political tool I've shared was a simple HTML page that just fetched the census API for specific codes in a tabular format. Sure I could have used react which would have enabled me to unlock some future value I couldn't foresee at the time but the working alternative is that I have a single html page with minimal JS (around ~2k LOC) that a surprising amount of nontypical devs (think carpenter that is interested in cybersecurity or union negotiators) are able to extend by themselves for their own needs (think adding census codes about snap or public transit).
There is a tremendous amount of value in telling my users how they can modify the source code and see the immediate impact of doing as much.
If this was a project that would have necessitated vite the first thing I would tell them is to install nodeJS and that's where I would lose 99.9999999999% of my users being able.
These projects will never go beyond 500,000 visitors and a CDN is more than sufficient for 90% of the work I do. So that obviously plays a major role but if this is a solo project there are much better choices to make if you want it to be sustainable + low upkeep. Those two qualities are something we as an industry should always value as it makes all our jobs collectively easier.
Excited to see Resolve continue to improve. Hopefully this encourages more improvement in the wider ecosystem as well. Adobe really could do some amazing stuff with Premiere and After Effects.
Finally, tee in the command prompt. I want to like powershell but the way it handles [] in filenames has bitten me so many times and fixing it turns simple things into verbose LiteralPath incantations
note that floating point audio very often exceeds [-1.0, 1.0] within the pipeline, just to be tamed at the very end of the mix to fit within those bounds. this is pretty much why every modern DAW uses floating point these days.
I believe SQLite3 uses a somewhat different implementation:
> A variable-length integer or "varint" is a static Huffman encoding of 64-bit twos-complement integers that uses less space for small positive values. A varint is between 1 and 9 bytes in length. The varint consists of either zero or more bytes which have the high-order bit set followed by a single byte with the high-order bit clear, or nine bytes, whichever is shorter. The lower seven bits of each of the first eight bytes and all 8 bits of the ninth byte are used to reconstruct the 64-bit twos-complement integer. Varints are big-endian: bits taken from the earlier byte of the varint are more significant than bits taken from the later bytes.
The one you linked for SQLite4 (abandoned project) is probably a better approach. I recall that the author has said that SQLite3's varint implementation is regretful.
I've been a raver for decades, not until I jumped into reddit I started reading and seeing people writing about "PLUR" (Peace Love Unity Respect) a bunch. Our little community never really interacted with the US side of things, and never used any acronyms or "sayings" like that, it was just built-in into the community, and people running around saying stuff like that would be kind of inauthentic and borderline sketchy. Just be that, no need to say it or remind others.
Kind of fun and interesting how the two electronic music scenes are very similar, but things like that remind me how different it is in say Europe than the US, even though the vibes are obviously similar and more or less the same, just way more implicit, not so "Look like this and do that".
In the US, it's been a concept for almost the entire time the scene has existed. In the early 90s, PLUR was popularized by Frankie Bones, who had essentially founded the east coast US scene a few years prior.
By the late 90s it was more of an implicit ethos -- you'd read about it and see it on flyers, but running around and saying it too often would indeed be considered inauthentic and rather cringe. Although, a bigger one around that time was use of the word "rave"; it was always "party" instead, to the extent that using the r-word in person was a huge faux pas which basically indicated you were either a poser or undercover law enforcement. And a "party" was always distinct from a weekly or monthly event at a club, and definitely not the same thing as a festival.
That's all quite a bit different in today's scene though, which has been thoroughly commercialized and mainstreamed for the past 15 years, ever since SFX started pouring major dollars into "EDM" events.
> That's all quite a bit different in today's scene though, which has been thoroughly commercialized and mainstreamed for the past 15 years
Shame to hear, Europe surely feels a ton different than 10-20 years ago, but still there is something authentic behind most events I'm still going to, tend to be the smaller ones, might be why.
But these most exists still today in the US/North America as well? I know for sure you can find those sort of events in Mexico for sure, but maybe today they've done the same with the electronic music events as they did with local broadcasting TV and it's all been centralized by now, would be sad to hear.
I'm sure they still exist here, but the economic realities make it challenging in my area (NYC)... even smaller events must be totally oversold, in order for the promoters to not go broke. So it's hard to find room to dance, and there's lots of people talking loudly everywhere, etc. And the headliners often start their sets at an absurdly late hour.
There are still some underground parties, but most of the ones I've been to in modern times have been a bit "off". In some cases the promoters are attempting to recreate a 90s/early'00s vibe, but they aren't old enough to have actually experienced one, so they're just basing it off the ridiculous exaggerated thing they saw in some movie. They'll overspend on decorations but underspend on DJs. And they'll do things like wait to send out the address of the "super secret underground venue" until the day of the event, but then it turns out to be some totally normal event space that anyone can rent.
Probably there are still some actual unlicensed/renegade parties somewhere here but I haven't found them. The only ones I have come across have been a bit of a different scene, more like experimental electronic that doesn't lend itself to dancing, no real overlap with the genres that were played at raves.
edit to add: no idea why you're getting downvoted above. fwiw your comment about PLUR totally aligns with what I've heard from others in Europe.
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