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"I had a great year or two learning about natural language before figuring out that it wasn’t a problem likely to be solved within my lifetime."

That' s a bit disheartening.


Yeah, he won a Nobel when he was 31. He's only unsung among the under-read.


So sad, buddy, but why was it a hotel room?


That was a weird typo; I meant to write hospital room.


Well played. :)


It's on NYT's tech blog.


Not really - TFA leaves out iTunes Match - which appears to be an incredible service.


I may be underestimating it's worth, but my first impression was that iTunes Match would be met (by users in general) with a feeling of paying for your non-iTunes music twice.


For anyone who has illegal music, it's paying once not twice and it's hardly expensive (cheaper than music subscription services).

For anyone who has non-iTunes music legally, given the cost of music, chances are that for most people the yearly fee will be very low compared to the rest of their collection, it's basically ~2-3 albums worth. At leat for anyone who has enough music to be worth using this for (if you own 5 CDs, just sync them once, why bother), $25 will be a small piece of what they've paid for the music.


I'd been planning to re-rip my entire CD collection to lossless. I'd say hassle-free upgrade to 256kbps AAC for $25 is a suitable alternative by far.


Itunes Match service seems mind blowing. "Even 20,000 songs" will cost only $24.99 per year it seems.


What I don't get is why it isn't just a generic music streaming service? If I have to pay $24.99 to access music I've already purchased elsewhere, this is actually encouraging me to go illegally download music to upload to the new service instead. I'm willing to pay once for music, not twice.


What I don't get is why it isn't just a generic music streaming service?

That's easy: iTunes is already the biggest music retailer, and there's ten billion plus tracks out there that don't need iTunes Match at all.

If I have to pay...

You don't. The $25/yr. is for an entirely optional service that you have not previously paid for.

this is actually encouraging me to go illegally download music

Nonsense. You're complaining that the service is only giving you the ability to do something you can (supposedly) already do, yes? Something you already (supposedly) paid for: what you call "access". But if you pirate, the same thing is true. If all you want to do is have "access" to the music, you already could have gotten that by pirating. iTunes Match doesn't change that at all.


I guess Jobs still thinks that people want to own music. http://www.reuters.com/article/2007/04/26/us-apple-jobs-idUS...


I think their assumption is that it is for music that was paid for in the past.


1. That's what the comment you're responding to is complaining about (if I paid for it in the past, why would I hand over $25 bucks to pay for it again?).

2. Apple doesn't live in a vacuum and isn't stupid, they know they're effectively offering amnesty to pirates. Their bet is that they win by bringing people into their ecosystem, that $25 and a shot at future purchases is a better deal than the nothing they're currently getting from pirates.


I have roughly 700 albums that I ripped off little plastic disks in the '90s, all encoded at 192, all riddled with bit errors after being copied through 6-9 different IDE/SATA drives.

This announcement seems great. I will get way more than $25/yr value out of having reliable access to all this music again.

I am not hung up on "how often" I've paid for this music. I bought the CDs; if I wanted to, I could have archived them as carefully as Rob from High Fidelity. I have better things to do with my life. The $25 convenience fee here is buying me a lot of convenience.

If I didn't want the convenience, I wouldn't have to pay for it. I could just rerip. Let me work out my hourly rate and see what kind of return I'm getting for nevermind I'm just going to pay Apple.


I totally agree with you, I was just clarifying the other comment. I've been thinking about uploading my whole collection to Amazon, whose music store I much prefer to iTunes, but an order-of-magnitude price difference is hard to justify. If all this works as advertised, it's going to be an absolutely killer service.


Completely agree. Ideally they'd also update their Gracenote matching to match tracks to CDs that people hadn't ripped yet. If not, I guess the race will now be on to build a ripper that can encode as fast as possible at the minimum quality level required for a match.


2. Exactly! What I'm reading from this announcement is "Create your own music library for $25 a year, the caveat being that you have to go steal the music first and present it to us, then we'll add it to your library"


The number of people who look at this as "now anytime I want music in my iTunes account, I need to go torrent it first", who weren't already active pirates, is going to be so miniscule it won't even matter.

This is for people with existing collections of questionable legality or other provenance, who otherwise wouldn't join the service if it meant they had to give all that music up.


While I do think it's a good deal if you like the iTunes ecosystem, keep in mind you are paying $25 for music you already have, and you are also more fully committing yourself to iTunes. I expect Apple is losing some money on the service, but they have clearly made the calculation that locking more users in is worth it.


It's because they're not storing anything new. They simply distribute the exact same file that they've had on iTunes to begin with if it detects a match of you owning it. Other services (Amazon and Google's come to mind) let you upload literally any audio file you want (to an extent), regardless of whether it's on their music store or not.

Both schemes have their pros and cons. The comparison of upload time during the keynote was a complete joke to anyone that knows anything about this sort of technology though: saying how much faster the upload on your service is that doesn't upload to begin with to services that do is just silly.


The bottom line is normal users (ie those who "don't know anything about this sort of technology") don't give a damn. It's a few hours vs a few minutes.


It's a few hours vs a few minutes.

No, believe me, it's not. I'm using the Google Music beta, and by my calculations, it will take multiple weeks to upload my collection.

http://www.wolframalpha.com/input/?i=80+GB%2F10KBps

I know I don't have the best internet connection, nor do I have the smallest music collection, but that's a whole lot of time to be uploading at full speed (which makes my internet unusable).


Your upload is 10kB? What? Are you on dial-up?


Mine is about that, maybe a bit more. I have the best residential internet plan in the city.


I find that exceedingly hard to believe. I literally get better upload over dialup...


The bottom line is it's not free, just like MobileMe wasn't, so they will give a damn.


They mentioned that music you have that doesn't match with anything already in the iTunes Store can be uploaded to the cloud. I don't think we have any details about the implementation yet though.


iTunes now have both, match those Apple sells, upload the rest.


Yep, could make itms match almost like a $25/year unlimited music service. Go find a bad recording of what you want then let it get 'matched' and you'd be legal and have a good copy.


Exactly - many of the other commentators don't seem to be getting this. This will be killer for people with tons of lossy, mediocre, napster era mp3s who have just not gotten around to upgrading to better quality stuff purely because of inertia.


Is it so much easier to pirate a bad copy of some song than an ok copy?


It does lower the bar for people afraid of torrents. Think analog loophole, playing back a music video on Youtube and recording speaker output into a file.


Out of sheer curiosity: what's the bare minimum required to match a Gracenote entry?


I know what you're thinking. Provide the bare minimum for the complete ITMS library and release it as a torrent...


Not really mind blowing, they will use the same setup as dropbox i presume; storing the same file only 'once' instead than on a per-user basis.


The politics are mind blowing, not the technology.

Over the last few days I have read so many comments on HN confidently proclaiming that the music labels would never ever ever do something like this.


The labels will never do this unless you pay them, which is what Apple just did.

http://news.ycombinator.com/item?id=2602817


One wonders if Apple makes any profit on the 24.99, or if it's all to appease the old, angry gods.

There's a limit of 25k songs, and Apple doesn't say if the music disappears if contract ends.


The keynote did mention DRM free (along with the 256Kbps AAC line). It doesn't sound like it would disappear.


Ah, just the server version then. So this is pretty much a form of blanket amnesty.


A friend's uncle gave some very abrupt advice which has stuck with me. "There are people who figure out ways to save money and there are people who figure out ways to make more money."


Saving money = oppressing yourself. Making more money = oppressing others.


The simple reason is that the Linux version of Skype might be axed as a result of the acquisition. This has happened before.


Except that they refuted that very statement in their press release

Skype will support Microsoft devices like Xbox and Kinect, Windows Phone and a wide array of Windows devices, and Microsoft will connect Skype users with Lync, Outlook, Xbox Live and other communities. Microsoft will continue to invest in and support Skype clients on non-Microsoft platforms.

http://www.microsoft.com/Presspass/press/2011/may11/05-10Cor...


What happens is they will support it for 2 years and then drop it.

See: http://www.afterdawn.com/news/press_releases/press_release.c...

and 2 years later: http://www.cio.com/article/532513/Microsoft_to_Drop_Linux_Un...


It says "non-Microsoft platforms". It doesn't say "all currently supported non-Microsoft platforms". So, this may just mean "we're not going to ditch the Mac".


> Except that they refuted that very statement in their press release

They rebutted it. I don't really see how they could refute it.


I don't see a rebuttal of the claim that they will no longer update the linux client (which beta is about 4 years old IIRC), or probably just drop it.

If one was really naive I guess one might imagine that "invest in and support Skype clients on non-Microsoft platforms" might cover linux rather than a limited set of possible platforms. I have no worries about the java based client on my phone for example.


they do say "Microsoft will continue to invest in and support Skype clients on non-Microsoft platforms."

Arguable if they will or not, but I don't think they could have been more direct than this


The reality is that losing the Linux client for Skype isn't a tragedy, since it sucks and has since the beginning, unlike the Mac client.


Ouch. The Skype Mac client sucks hard. It is pretty feature-complete, though.


True, the Mac client is slightly better.


Blackberries do this.


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